Pieter Brueghel the Younger(1564 or 1565 - 10 October 1636) was a Flemish painter, known for numerous copies after his father Pieter Brueghel the Elder's paintings and nicknamed "Hell Brueghel" for his fantastic treatments of fire and grotesque imagery. Pieter Brueghel the Younger was the oldest son of the famous sixteenth-century Netherlandish painter Pieter Brueghel the Elder (known as "Peasant Brueghel") and Mayken Coecke van Aelst. His father died in 1569, when Pieter the younger was only five years old. Then, following the death of his mother in 1578, Pieter, along with his brother Jan Brueghel the Elder ("Velvet Brueghel") and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578 and Pieter possibly entered the studio of the landscape painter Gillis van Coninxloo (1544 - 1607). In the 1584/1585 registers of Guild of Saint Luke, "Peeter Brugel" is listed as an independent master. On 5 November 1588 he married Elisabeth Goddelet, and the couple had seven children. He painted landscapes, religious subjects and fantasy paintings. For this last category he often made use of fire and grotesque figures, leading to his nickname "Hell Brueghel". Apart from these paintings of his own invention, Pieter Brueghel the Younger also copied the works his father had created by using a technique called pouncing. His genre paintings of peasants lack Pieter the Elder's subtlety and humanism, and emphasize the picturesque | |||
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The Preaching of St. John the Baptist. Gemälde ID:: 82033 Siehe Galerie in Schweden |
The Preaching of St. John the Baptist. Date 1601-1604 Medium Oil on panel cjr Date_1601-1604 _ Medium_Oil_on_panel _ cjr |
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The Preaching of St. John the Baptist Gemälde ID:: 85669 Siehe Galerie in Schweden |
The Preaching of St. John the Baptist 1601-1604 Medium Oil on panel cyf 1601-1604 _ Medium_Oil_on_panel _ cyf |
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Peasant Wedding Feast Gemälde ID:: 86477 Siehe Galerie in Schweden |
Peasant Wedding Feast 1630(1630) Medium Oil on canvas Dimensions 73 x 104 cm (28.7 x 40.9 in) cyf 1630(1630) _ Medium_Oil_on_canvas _ Dimensions_73__x__104_cm_(28.7__x__40.9_in) _ cyf |
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Country Scene Gemälde ID:: 90086 Siehe Galerie in Schweden |
Country Scene 1608(1608) Medium oil on panel Dimensions 22 x 33 cm cjr 1608(1608) _ Medium_oil_on_panel _ Dimensions_22_x_33_cm _ cjr |
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The Adoration of the Magi Gemälde ID:: 90130 Siehe Galerie in Schweden |
The Adoration of the Magi between 1590(1590) and 1638(1638) Medium oil on panel Dimensions 41 x 57 cm (16.1 x 22.4 in) cjr between_1590(1590)_and_1638(1638) _ Medium_oil_on_panel _ Dimensions_41_x_57_cm_(16.1_x_22.4_in) _ cjr |
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| Vorheriger Künstler Nächster Künstler | ||||||||||
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| Pieter Brueghel the Younger | ||||||||||
| (1564 or 1565 - 10 October 1636) was a Flemish painter, known for numerous copies after his father Pieter Brueghel the Elder's paintings and nicknamed "Hell Brueghel" for his fantastic treatments of fire and grotesque imagery. Pieter Brueghel the Younger was the oldest son of the famous sixteenth-century Netherlandish painter Pieter Brueghel the Elder (known as "Peasant Brueghel") and Mayken Coecke van Aelst. His father died in 1569, when Pieter the younger was only five years old. Then, following the death of his mother in 1578, Pieter, along with his brother Jan Brueghel the Elder ("Velvet Brueghel") and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578 and Pieter possibly entered the studio of the landscape painter Gillis van Coninxloo (1544 - 1607). In the 1584/1585 registers of Guild of Saint Luke, "Peeter Brugel" is listed as an independent master. On 5 November 1588 he married Elisabeth Goddelet, and the couple had seven children. He painted landscapes, religious subjects and fantasy paintings. For this last category he often made use of fire and grotesque figures, leading to his nickname "Hell Brueghel". Apart from these paintings of his own invention, Pieter Brueghel the Younger also copied the works his father had created by using a technique called pouncing. His genre paintings of peasants lack Pieter the Elder's subtlety and humanism, and emphasize the picturesque | ||||||||||
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